Barry Jenkins’ “Moonlight”

Moonlight 2016

Sublime and surprising coming-of-age, romance and social commentary masterpiece with pitch perfect performances, sumptuous visuals and a haunting soundtrack

Some of the best films open the viewer up to experiences, worlds we’ve never experienced in a way that is relatable, thought-provoking and beautiful. It’s that universality which Jenkins’ taps into in this story of Chiron who we see as a quiet and isolated boy(Alex Hibbert), an impoverished teenager getting to grips with his homosexuality(Ashton Sanders) and as an isolated adult(Trevante Rhodes) still living with the trauma of the past.

Standing among one of the most beautiful films ever made, it’s one of those rare occasions where the Academy Awards got it right. Nicholas Britell’s score gently compliments the visuals in establishing a sublime and grounded tone. Jenkins is on top form and the casting is pitch perfect. James Laxton’s cinematography is breathtaking and his collaborations with Jenkins have matured with a palpable rhythm while also not being afraid of taking risks.

Having seen this both at home and at the cinema, the film works on television but is also wholly cinematic and benefits from viewing on the big screen. Extraordinary and sublime, this is a must see.