Santiago Mitre’s “Argentina, 1985”
Michael Curry Michael Curry

Santiago Mitre’s “Argentina, 1985”

Compelling and accessible true-life courtroom drama recalls the antifascist struggle of a group of prosecutors tasked with indicting key members of the military for their brutal campaign which resulted in the murder and torture of thousands

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Chinonye Chukwu’s “Till”
Michael Curry Michael Curry

Chinonye Chukwu’s “Till”

An important story raised by outstanding performances across its cast and the inclusion of Keith Beauchamp’s contribution to the script

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Ti West’s “Pearl”
Michael Curry Michael Curry

Ti West’s “Pearl”

An outstanding prequel to “X” which is fresh and stands on its own paying homage to Hitchcock in his prime as well as the movies of the period

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Sam Mendes’ “Empire of Light”
Michael Curry Michael Curry

Sam Mendes’ “Empire of Light”

An intimate, poetic narrative which is a coming of age story that touches on racism, mental illness and exploitation that manages to be uplifting without being vapid

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Andrew Dominik’s “Blonde”
Michael Curry Michael Curry

Andrew Dominik’s “Blonde”

Horror of the highest calibre that has more to do with “Revulsion”, “Hour of the Wolf” and “Mulholland Drive” than any true attempt to create a biopic of Marilyn Monroe; a mesmerising though arduous journey worth taking

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Sebastián Lelio’s “The Wonder”
Michael Curry Michael Curry

Sebastián Lelio’s “The Wonder”

A brilliant, layered and compelling film about belief, faith, grief and storytelling led by an exceptional performance from Florence Pugh and a crackling script from Emma Donoghue

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Marie Kreutzer’s “Corsage”
Michael Curry Michael Curry

Marie Kreutzer’s “Corsage”

The reimagined life of Empress Elisabeth of Austria is an oddly detached affair with a great lead in Vicky Krieps let down by some poor production choices and a bland soundtrack

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David O. Russell’s “Amsterdam”
Michael Curry Michael Curry

David O. Russell’s “Amsterdam”

A Big Lebowski-style caper with Christian Bale’s Columbo-esque Burt standing in for The Dude in a story covering the rise of fascism that never quite feels weighty as it should while never ceasing to entertain

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