Eskil Vogt’s “The Innocents”
A tense horror on the dark side of childhood which plays like “Lord of the Flies”, Anton Leader’s “Children of the Damned” and Josh Trank’s “Chronicle” with a down-to-earth Swedish sensibility that heightens the stakes
Pål Sletaune’s “Next Door (Naboer)”
Kafka meet’s Repulsion in this efficient meditation on misogny