Hannes Holm’s “A Man Called Ove”
Swedish comedy melodrama (recently given the remake treatment with Tom Hanks) is a sweet and weepy Capraesque fairytale that doesn’t always hit the mark but is carried by pitch perfect casting
Ruben Östlund’s “Triangle of Sadness”
Half-baked with no surprises, this tedious black comedy lacks the punch of Östlund’s earlier work